Comparativism in art history
著者
書誌事項
Comparativism in art history
(Studies in art historiography / series editor, Richard Woodfield, 12)(An Ashgate book)
Routledge, 2017
- : hbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields - in very different historical, geographic and cultural contexts - but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline - namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'art history' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.
目次
Contents:
Introduction: Some Stakes of Comparison, by Stanley K. Abe and Jas Elsner
Chapter 1: Our Literal Speed, by Our Literal Speed
Chapter 2: Locations of Comparison: Some Personal Observations, by Wu Hung
Chapter 3: Bivisibility: Why Art History is Comparative, by Whitney Davis
Chapter 4: Redundacy, Transformation, Impersonation, by Margaret Olin
Chapter 5: The Object in the Comparative Context, by Ittai Weinryb
Chapter 6: Sculpture: A Comparative History, by Stanley K. Abe
Chapter 7: Intersecting Historiographies: Henri Pirenne, Ernst Herzfeld, and the Myth of Origin, by Avinoam Shalem
Chapter 8: Comparativism in Anthropology: Big Questions and Scaled Comparison - An Illusive Dream?, by Susanne Kuchler
Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison, by Richard Neer
Chapter 10: Christian Marclay's Real Time Fiction, by Robert Slifkin
Chapter 11: Narrative, Naturalism and the Body in Classical Greek and Early Imperial Chinese Art, by Jeremy Tanner
「Nielsen BookData」 より