Narrative and drama in the Book of Revelation : a literary approach
著者
書誌事項
Narrative and drama in the Book of Revelation : a literary approach
（Monograph series / Society for New Testament Studies, 175）
Cambridge University Press, 2020, c2019
- : pbk
- タイトル別名
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El Apocalipsis : pautas literarias de lectura
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注記
Originally published in Spanish as El Apocalipsis : pautas literarias de lectura by CSIC, Madrid, 2013
This translation originally published: 2019
Includes bibliographical references (p. 191-201) and indexes
内容説明・目次
内容説明
The Book of Revelation is one of the most cryptic books of the Bible and one that raises many scholarly questions. What is its literary genre? Why is it considered to be both a narrative and a drama? Why does John disregard time-space coordinates? Why does the audience have such an important role in the text? What literary guidelines has the author designed to facilitate the reading of the book? Applying the methods of literary theory to her study, Lourdes Garcia-Urena argues that John wrote Revelation as a book to be read aloud in a liturgical context. In her reading, John chose a literary form, similar to the short story, that allows him to use time-space coordinates flexibly, to dramatize the text, and to take his time in describing his visions. Through these techniques the audience re-lives and is made part of the visual and auditory experience every time the book is read.
目次
- 1. The literary forms of the Book of Revelation
- 2. John, eyewitness and herald of the visions
- 3. John, auditory witness and herald of the word.
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