Japanese avant-garde and experimental film
著者
書誌事項
Japanese avant-garde and experimental film
（Interdisciplinary studies in performance : historical narratives, theater, public life / edited by Mirosław Kocur, v. 23）
P. Lang, c2020
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注記
Includes bibliographical references (p. [297]-317) and index
内容説明・目次
内容説明
The book shows the connections between Japanese historical avant-garde movements and new Japanese experimental films. The author provides insight into the development of Japanese avant-garde visual culture and experimental aesthetics, also featuring the expanded cinema after 2000. The author focuses on the detailed presentation of the chosen aspects, artists and films of the Japanese avant-garde from its origins to the post-2000 period. The analysis is built around themes, objectives and aesthetics introduced by such artists as Shūji Terayama, Takahiko Iimura, Masao Adachi, Takashi Itō, Toshio Matsumoto, Mako Idemitsu, Japanese feminist filmmakers, video artists and the new wave of experimenting independent directors: Takashi Makino, Rei Hayama, Shinkan Tamaki and Kazuhiro Goshima.
目次
Japanese avant-garde film – Experimental film – Expanded cinema – Avant-garde collective – Japanese film aesthetics and history – Japanese surrealism – Mavo group – Controversial films – Video art – Shuji Terayama – Takahiko Iimura – Masao Adachi – Takashi Ito – Rei Hayama – Takashi Makino – Mako Idemitsu
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