Class, gender, and sexuality in Thomas Gainsborough's Blue boy

著者

• Hedquist, Valerie

書誌事項

Class, gender, and sexuality in Thomas Gainsborough's Blue boy

Valerie Hedquist

（Routledge research in gender and art）

Routledge, 2020

注記

Includes bibliographical references (p. [171]-192) and index

内容説明・目次

内容説明

The reception of Thomas Gainsborough's Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or gay. In private and public spaces where viewers saw the actual painting and where living and rendered replicas circulated, Gainsborough's painting was often the centerpiece where dominant and subordinate classes met, gender identities were enacted, and sexuality was implicitly or overtly expressed.

目次

• Introduction
• Chapter 1 Private Beginnings, Public Performances
• Chapter 2 The Blue Boy from Gainsborough's Showroom to Grosvenor's Picture Gallery
• Chapter 3 Public Recognition
• Chapter 4 Reproducing The Blue Boy
• Chapter 5 Farewell to England
• Chapter 6 Welcome to America
• Chapter 7 Changing Roles for The Blue Boy
• Conclusion

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BC02856667
• ISBN:
  • 9781138543423
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: New York
• ページ数/冊数: viii, 201 p., [16] p. of plates
• 大きさ: 26 cm
• 分類:
  • LCC : ND1329.G34
  • DC23 : 759.42
• 件名:
  • LCSH : Gainsborough, Thomas, 1727-1788. Blue boy
  • LCSH : Gainsborough, Thomas, 1727-1788 -- Criticism and interpretation
• 親書誌ID:
  • BB26497324