Capturing digital media : perfection and imperfection in contemporary film and television

著者

    • Connelly, Thomas J.

書誌事項

Capturing digital media : perfection and imperfection in contemporary film and television

Thomas J. Connelly

Bloomsbury Academic, 2019

  • : hb

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注記

Includes index

内容説明・目次

内容説明

Why are filmmakers such as J.J. Abrams, Christopher Nolan and Quentin Tarantino continuing to shoot their movies on celluloid in the digital age of cinema? Are these filmmakers choosing the photochemical process of celluloid images purely for aesthetics purposes? Or could their preference for celluloid have something to do with analogue's intimate connection to the subject of lack and desire? Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of key psychoanalytic terms and new media concepts, Capturing Digital Media shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital. It argues that the perfection of digital must be wounded by forms of imperfection in order to make media texts such as film and television desirable. But even as films and television texts incorporate forms of imperfection, digital perfection remains a powerful attraction in our engagement with moving images, such as high definition screens, spectacular digital effects, and state-of-the-art sound.

目次

Acknowledgements Introduction: Analogue and Digital Forms and Star Wars 1. Perfecting the Imperfect: Children of Men and War of the Worlds 2. Time-Looping Narrative: Source Code, Looper and Live Die Repeat: Edge of Tomorrow 3. The Database, Gaming, and First-Person Shooter Perspective in Gus Van Sant's Elephant 4. Subjective Vision and The Intimate Spectacle: Cloverfield 5. Making Sense of Mumblecore 6. The Politics of Homemade Filmmaking: Y Tu Mama Tambien and End of Watch 7. Time-Shifting, Dreams, and Uncertainty in The Sopranos 8. Please Set Your Belief to 16x9 Conclusion Notes Index

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