Postcolonial comics : texts, events, identities
Author(s)
Bibliographic Information
Postcolonial comics : texts, events, identities
(Routledge research in postcolonial literatures)
Routledge, 2020
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This collection examines new comic-book cultures, graphic writing, and bande dessinee texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts.
The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape.
This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.
Table of Contents
Introduction Binita Mehta and Pia Mukherji Part I: Geographies of Contact: Gibraltar / Malta / Asia-Pacific 1. Plural Pathways, Plural Identities: Jean-Philippe Stassen's Les Visiteurs de Gibraltar Michelle Bumatay 2. Joe Sacco's "Prying Outsiders": Marginalization, Graphic Novel Form, and the Ethics of Postcolonial Representation Sam Knowles 3. Tezuka Osamu's Postcolonial Discourse towards a Hybrid National Identity Roman Rosenbaum Part II: Francophone Post-Histories: Algeria / Congo / Gabon 4. Memory and Postmemory in Morvandiau's D'Algerie Ann Miller 5. Guilty Melancholia and Memorial Work: Representing the Congolese Past in Comics Veronique Bragard 6. Visualizing Postcolonial Africa: La Vie de Pahe Binita Mehta Part III: Postcolonial Politics: India 7. Postcolonial Demo-graphics: Traumatic Realism in Vishwajyoti Ghosh's Delhi Calm Pramod K. Nayar 8. Graphics of Freedom: Colonial Terrorists and Postcolonial Revolutionaries in Indian Comics Harleen Singh 9. Graphic Ecriture: Gender and Magic Iconography in Kari Pia Mukherji Part IV: War, Nationhood, and Transnationalism: The Middle East 10. Visualizing the Emerging Nation: Jewish and Arab Editorial Cartoons in Palestine, 1939-48 Jeffrey John Barnes 11. Drawing for a New Public: Middle Eastern 9th Art and the Emergence of a Transnational Graphic Movement Massimo di Ricco 12. Men with Guns: War Narratives in New Lebanese Comics Lena Merhej
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