Making art history in Europe after 1945
著者
書誌事項
Making art history in Europe after 1945
(Studies in art historiography / series editor, Richard Woodfield)
Routledge, 2020
- : hbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective.
Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe's Southern and Eastern peripheries, from Portugal to Estonia to Greece.
By stressing the margins' point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of 'Europe.'
目次
1. The (Re)Makings of Art History and Europe after 1945 [Noemi de Haro Garcia, Patricia Mayayo and Jesus Carrillo] Section 1: Europe after the Rain 2. The Allied Cultural Policies in Germany after 1945: between "Re-education" and the Politization of the Arts [Morgane Walter] 3. UNESCO's Color Reproductions Project: Bringing (French) Art to the World [Rachel Perry] 4. Curatorial Experiments at the National Gallery after the Second World War. Reframing History and the Pursuit of Aesthetic Experience [Ana Baeza Ruiz] 5. The Venice Biennale at Its Turning Points: 1948 and the Aftermath of 1968 [Stefano Collicelli and Vittoria Martini] Section 2: Re-reading Cold-War Narratives 6. The Museum of Contemporary Art in Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative of Yugoslav Modern Art [Jasmina Cubrilo] 7. Artists in Service of the Masses: The Untold Story of the Yugoslav Socialist Realist Project [Ivana Hanacek] 8. Simultaneous Equations: Early Cold War Cultural Politics and the History of Art in Greece [Areti Adamopoulou] 9. Cold War Art Historiography: Some Observations on an Interdisciplinary Approach through the Social Sciences, [Nancy Jachec] 10. Something is Happening Here. Spaces and Figures of Change in Post-War Portugal [Luis Trindade] Section 3: A New Europe? 11. Art Policies, Identity and Ideology in Spain during the 1980s [Daniel A. Verdu Schumann] 12. Official Art Becoming Resistance. Adopting the Discourse of Dissent into Estonian Art History Writings [Kadi Talvoja]13. Gendering Art and Art History in Poland: A Story of Subversion [Pawel Leszkowicz] 14. Narrating Dissident Art in Spain: the Case of Desacuerdos. Sobre Arte, Politicas y Esfera Publica (2003-2005) [Alberto Lopez Cuenca]
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