The Routledge handbook of music signification
著者
書誌事項
The Routledge handbook of music signification
(Routledge handbooks)
Routledge, 2020
- : hbk
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注記
Bibliography: p. 359-387
Includes indexes
内容説明・目次
内容説明
The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.
Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification.
This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.
目次
Introduction
Esti Sheinberg and William P. Dougherty
Music Signification and Philosophy
"Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
From Semio-ethics to a Semiotics of Speech in Music and Musicology: Theoretical (and Utopian) Projections
Christine Esclapez
Music and Reality
Ben Curry
From Ursatz to Urzemic: Avenues for Theories and Analyses of Music SignificationEero Tarasti
Music Signification and Semiotics
The Musical Signifier
Lawrence Kramer
Barthes's The Grain of the Voice Revisited
Anne Kauppala
Britten and Stravinsky's Neoclassical Opera: Signs, Signification, and Subjectivity
Nicholas P. McKay
Fundamental Concepts for the Semiotic Interpretation of Musical Meaning: A Personal Journey
Robert Hatten
Music Signification and Topic Theory
Patterns and Topics as Elements of Signification in Late Eighteenth-Century Music
Lauri Suurpaa
"Mad Day" and the "March of Bacchus": Figaro in Mahler's Third Symphony
Lorant Peteri
Topics and Stylistic Register in Russian Opera, 1775-1800
Johanna Frymoyer
She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation of the Romantic Female
Chia-Yi Wu
Charles Griffes's Xanadu: A Musical Garden of Opposites
Taylor A. Greer
Music Signification and Narrative
Music Narrative: Theory, Context, Subjectivity
Byron Almen
Motivic Linkage and Actantial Pairing in Britten's Operas
Michael Baker
The Narrative Rhetoric of Beethoven's Fifth Symphony
Anatole Leikin
From Music Signification to Musical Narrativity: Concepts and Analyses
Marta Grabocz
Music Signification and Society
Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
Multimodal Reinforcement and Worlds of Sense: A Political Approach to Musical Emotions
Oscar Hernandez-Salgar
Reading Meaning In and Out of Music from Theresienstadt: The Case of Pavel Haas
Martin Curda
FKA twigs and Popular Music Signification: The Challenge of Fluid Clarity
William Echard
Lost Innocence: Signifying East, Signifying West
Edward Campbell
Music Signification and Emotion, Cognition and Embodiment
Four Flavors of Pre-Modern Emotion
Michael Spitzer
Music as Experience: Musical Sense-making between Step-by-Step Processing and Synoptic Overview
Mark Reybrouck
Melody as Representation
David Lidov
Music Signification and Education
Musical Semiosis as a Process of Learning and Growth
Juha Ojala
A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
Music Signification and Intermediality
The Operatic Principle: Negotiating Contradictory Demands of Signification
Balint Veres
Pianto as a Topical Signifier of Grief in Contemporary Operas by John Adams, Thomas Ades, and Kaija Saariaho
Yayoi Uno Everett
Musical Ekphrasis: The Evolution of the Concept and the Breadth of its Application
Siglind Bruhn
Bibliography
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