Rebecca

著者

    • White, Patricia

書誌事項

Rebecca

Patricia White

（BFI film classics）

BFI, 2021

  • : pb

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注記

Summary: "Alfred Hitchcock's film adaptation of Daphne du Maurier's gothic romance 'Rebecca' opens, like the novel, with the famous line 'Last night I dreamt I went to Manderley again'. Patricia White takes the theme of return as her starting point for her exploration of the film's production and reception history, drawing on original archival research to uncover how 'Rebecca' became the first fruit of the collaboration between the Hollywood movie producer David O. Selznick and the British director Alfred Hitchcock, while stressing the centrality of women to the production - not only the stars Joan Fontaine as the anonymous second Mrs de Winter, and the brooding figure of Mrs. Danvers, played by Judith Anderson, but agent Kay Brown who brought du Maurier's novel to Selznick; Joan Harrison, who shared a screenwriting credit for the movie, and of course, the author herself. White goes on to provide a rich textual analysis of the film, addressing the film and the novel's status as gothic romances..."

内容説明・目次

内容説明

The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.' Patricia White takes the theme of return as her starting point for an exploration of the film's enduring power. Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women's contributions. White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around 'I' (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. Her discussion of the film's afterlives emphasizes the lasting aesthetic impact of this dark masterpiece of memory and desire, while her attention to its remakes and sequels speaks to the ongoing relevance of its vision of gender and power.

目次

1. Introduction 2. Production and release history 3. 'Rebecca' the novel 4. 'Rebecca' the film 5. Reception and film criticism 6. The afterlives of 'Rebecca'

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