Modern women artists in the Nordic countries, 1900-1960

書誌事項

Modern women artists in the Nordic countries, 1900-1960

edited by Kerry Greaves

(Routledge research in gender and art)

Routledge, 2021

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注記

Includes bibliographical references and index

収録内容

  • She is no gentle lamb in the cave of the werewolf : modern women artists in the Nordic countries / Kerry Greaves
  • The work of Juliana Sveinsdottir : engaging issues of gender and colonial subjectivity / Hlynur Helgason
  • The symbolic abstraction of Else Alfelt / Karen Kurczynski
  • Women pioneers of abstraction in 1950s Norway : the balancing act of Aase Texmon Rygh, Inger Sitter, and Gudrun Kongelf / Sigrun Asebo
  • Movement and the living surface : Greenlandic modernism, Pia Arke, and the decolonial legacy of women artists in Greenland / Charissa von Harringa
  • Gabriele Munter and the 1917 exhibition of the föereningen Svenska konstnarinnor and Vereinigung Bildende Kunstlerinnen OEsterreichs / Shulamith Behr
  • Modern corporeality : body, movement, and dance in Ellen Thesleff's art / Hanna-Reetta Schreck
  • Women artists in and around the Danish Journal Linien / Marianne Ølholm
  • No one creates alone : past and present in a common reading of artist Sonja Ferlov Mancoba / Yvette Brackman, Johanne Logstrup, and Pia Ronicke
  • Collaboration and co-habitation : Swedish women artists at the turn of the century / Katarina Wadstein Macleod
  • "Women need work, and work needs women" : women artists and their networks in Fin de Siecle Sweden / Joann Conrad
  • Shady plants, ecstatic trees, and vulva seashells : symbols of erotic nature in the Surrealist Work of Rita Kernn-Larsen and Elsa Thoresen / Marie Arleth Skov
  • Anneliese Hager, Cobra, and the camera-less photograph / Lynette Roth
  • Elsa Laula, Astri Aasen, and the ascent of Sami visual sovereignty, 1904-1917 / Bart Pushaw
  • Emancipated bodies : Anna Klindt Sorensen paints the female nude / Ulla Angkjar Jorgensen
  • Elaboration of the "new woman" figure by women artists in interwar Finland / Tutta Palin
  • Soft bones : Sonja Ferlov Mancoba and the reconfiguration of anatomy / Emil Leth Meilvang
  • Dealing with circles : Franciska Clausen and her position in the group cercle et Carre (1929-1930) / Mette Hojsgaard
  • Surrealist beasts : Greta Knutson's strategy of "performative refusal" / Martin Sundberg
  • The representation of lack, the matter of imagination : Hannah Ryggen, aesthetics of resistance, and art against fascism / Zofia Cielatkowska
  • Intra-actions with nature (and beyond) : Hilma af Klint, Else Alfelt, and Sonja Ferlov Mancoba / Tina Mariane Krogh Madsen

内容説明・目次

内容説明

This transnational volume examines innovative women artists who were from, or worked in, Denmark, Finland, Greenland, Iceland, Norway, Sapmi, and Sweden from the emergence of modernism until the feminist movement took shape in the 1960s. The book addresses the culturally specific conditions that shaped Nordic artists' contributions, brings the latest methodological and feminist approaches to bear on Nordic art history, and engages a wide international audience through the contributors' subject matter and analysis. Rather than introducing a new history of "rediscovered" women artists, the book is more concerned with understanding the mechanisms and structures that affected women artists and their work, while suggesting alternative ways of constructing women's art histories. Artists covered include Else Alfelt, Pia Arke, Franciska Clausen, Jessie Kleemann, Hilma af Klint, Sonja Ferlov Mancoba, Greta Knutson, Aase Texmon Rygh, Hannah Ryggen, Juliana Sveinsdottir, Ellen Thesleff, and Astri Aasen. The target audience includes scholars working in art history, cultural studies, feminist studies, gender studies, curatorial studies, Nordic studies, postcolonial studies, and visual studies.

目次

INTRODUCTION She Is No Gentle Lamb in the Cave of the Werewolf: Modern Women Artists in the Nordic Countries SECTION 1:Critical Reconsiderations, New Languages of Interpretation 1. The Work of Juliana Sveinsdottir: Engaging Issues of Gender and Colonial Subjectivity 2. The Symbolic Abstraction of Else Alfelt 3. Women Pioneers of Abstraction in 1950s Norway: The Balancing Act of Aase Texmon Rygh, Inger Sitter, and Gudrun Kongelf 4. Movement and the Living Surface: Greenlandic Modernism, Pia Arke, and the Decolonial Legacy of Women Artists in Greenland SECTION 2:Interventions, Transmissions, Networks 5. Gabriele Munter and the 1917 Exhibition of the Foereningen Svenska Konstnarinnor and Vereinigung Bildende Kunstlerinnen OEsterreichs 6. Modern Corporeality: Body, Movement, and Dance in Ellen Thesleff's Art 7. Women Artists in and around the Danish Journal linien 8. No One Creates Alone: Past and Present in a Common Reading of Artist Sonja Ferlov Mancoba SECTION 3:Subversive Spaces, Collaborations, and Reclamations 9. Collaboration and Co-Habitation: Swedish Women Artists at the Turn of the Century 10. "Women Need Work, and Work Needs Women": Women Artists and Their Networks in Fin de Siecle Sweden 11. Shady Plants, Ecstatic Trees, and Vulva Seashells: Symbols of Erotic Nature in the Surrealist Work of Rita Kernn-Larsen and Elsa Thoresen 12. Anneliese Hager, Cobra, and the Camera-less Photograph SECTION 4:Subjectivities, Identity, and Self-Fashioning 13. Elsa Laula, Astri Aasen, and the Ascent of Sami Visual Sovereignty, 1904-1917 14. Emancipated Bodies: Anna Klindt Sorensen Paints the Female Nude 15. Elaboration of the "New Woman" Figure by Women Artists in Interwar Finland 16. Soft Bones: Sonja Ferlov Mancoba and the Reconfiguration of Anatomy SECTION 5:Alternative Practices of Agency and Resistance 17. Dealing with Circles: Franciska Clausen and Her Position in the Group Cercle et Carre (1929-1930) 18. Surrealist Beasts: Greta Knutson's Strategy of "Performative Refusal" 19. The Representation of Lack, the Matter of Imagination: Hannah Ryggen, Aesthetics of Resistance, and Art against Fascism 20. Intra-Actions with Nature (and Beyond): Hilma af Klint, Else Alfelt, and Sonja Ferlov Mancoba

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