The creativity code : art and innovation in the age of AI
著者
書誌事項
The creativity code : art and innovation in the age of AI
Harvard University Press, 2019
- : pbk
- タイトル別名
-
The creativity code : how AI is learning to write, paint and think
大学図書館所蔵 全3件
  青森
  岩手
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  福島
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  東京
  神奈川
  新潟
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  長野
  岐阜
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  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
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  鹿児島
  沖縄
  韓国
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注記
"First published in the United Kingdom in 2019 as The creativity code : how AI is learning to write, paint and think by Fourth Estate, an imprint of HarperCollins Piblishers, Lomdon"--T.p. verso
Includes bibliographical references (p. [289]-295) and index
内容説明・目次
内容説明
"A brilliant travel guide to the coming world of AI."
-Jeanette Winterson
What does it mean to be creative? Can creativity be trained? Is it uniquely human, or could AI be considered creative?
Mathematical genius and exuberant polymath Marcus du Sautoy plunges us into the world of artificial intelligence and algorithmic learning in this essential guide to the future of creativity. He considers the role of pattern and imitation in the creative process and sets out to investigate the programs and programmers-from Deep Mind and the Flow Machine to Botnik and WHIM-who are seeking to rival or surpass human innovation in gaming, music, art, and language. A thrilling tour of the landscape of invention, The Creativity Code explores the new face of creativity and the mysteries of the human code.
"As machines outsmart us in ever more domains, we can at least comfort ourselves that one area will remain sacrosanct and uncomputable: human creativity. Or can we?...In his fascinating exploration of the nature of creativity, Marcus du Sautoy questions many of those assumptions."
-Financial Times
"Fascinating...If all the experiences, hopes, dreams, visions, lusts, loves, and hatreds that shape the human imagination amount to nothing more than a 'code,' then sooner or later a machine will crack it. Indeed, du Sautoy assembles an eclectic array of evidence to show how that's happening even now."
-The Times
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