Canons and values : ancient to modern
著者
書誌事項
Canons and values : ancient to modern
（Issues & debates）
Getty The Research Institute, c2019
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注記
Includes bibliographical references and index
収録内容
- Acknowledgments
- Foreword / Thomas Gaehtgens
- Introduction: canons in world perspective-definitions, deformations, and discourses / Larry Silver
- Canons: systems of proportions in ancient Egypt, India, and Greece / Adolf H. Borbein
- Object(s)-value(s)-canon(s) / John K. Papadopoulos
- Body canons in South America / Gary Urton
- A temple without a name: Deccan architecture and the canon for sacred Indian buildings / Subhashini Kaligotla
- The 500 faces of Teotihuacan: masks and the formation of Mesoamerican canons / Matthew H. Robb
- "One flower from each garden": contradiction and collaboration in the canon of Mughal painters / Yael Rice
- Canons seen and unseen in colonial Mexico / Kevin Terraciano
- The enduring burin in early nineteenth-century Paris / Louis Marchesano
- Making the canon visible: art historical book series in the late nineteenth and early twentieth centuries / Friederike Kitschen
- The naked fetish: Carl Einstein and the Western canon of African art / Uwe Fleckner
- Forging the myth of Brazilian modernism / Rafael Cardoso
- Jewish art and modernity / Larry Silver
- Contributors
- Illustration credits
- Index
内容説明・目次
内容説明
A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them.
Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that shape their hierarchies. Deploying an array of methodologies-including archaeological investigations, visual analysis and literary critique-the authors examine canon formation throughout the world, including Africa, India, East Asia, Mesoamerica, South America, ancient Egypt, classical Greece and Europe.
Global studies of art, which are dismantling the traditionally Eurocentric canon, promise to make art history more inclusive. To this end, this volume raises new questions about the importance of canons-including those from outside Europe-for the wider discipline of art history.
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