Documentary vanguards in modern theatre
Author(s)
Bibliographic Information
Documentary vanguards in modern theatre
(Routledge advances in theatre and performance studies)
Routledge, 2018
- : hbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [203]-213) and index
Description and Table of Contents
Description
Practitioners and critics alike often attribute great authenticity to documentary theatre, casting it as a salutary alternative not only to corporate news outlets and official histories but also to the supposed "self-indulgence" and "elitism" of avant-garde theatre.
Documentary Vanguards in Modern Theatre, by contrast, argues for treating documentarians as vanguardists who (for good or ill) push, remap, or transgress the margins of historical and political visibility, often taking issue with professional discourses that claim a monopoly on authoritative representations of the real. This is the first book to situate documentary theatre's development within the larger story of theatrical experimentalism, collage art, collective ritual, and other avant-garde dramaturgical and performance practices of the late 19th and 20th Centuries.
Table of Contents
Introduction
Part One: Sordid Actuality (1835-1922)
1 Georg Buchner and the Breakdown of the History Play
2 Embarrassing Relatives: Naturalism, True Crime, and Bohemian Memory
3 Karl Kraus's Cannibal Satire and Pedagogies of Reception
Part Two: Vanguards of Revolution and Reform (1917-1984)
4 The Documentary and Communist Vanguards
5 Midcentury Documentaries: For and Against Liberalism
6 Activist Endings and Optative Documentaries
Part Three: Documentary Theatre after Postmodernism (1977- )
7 The Wooster Group and Anna Deavere Smith: Parallax, Play, and Collage Ethics
8 Handspring Puppet Company: Reconciling with the Avant-Garde
9 Too Much Information
Conclusion: "This Is Not a Story about Failure"
by "Nielsen BookData"