Critical design in Japan : material culture, luxury, and the avant-garde

Author(s)

Bibliographic Information

Critical design in Japan : material culture, luxury, and the avant-garde

Ory Bartal

(Studies in design and material culture)

Manchester University Press, 2020

  • : hardback

Available at  / 6 libraries

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Note

Includes bibliographical references (p. [214]-225) and index

Description and Table of Contents

Description

This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique. -- .

Table of Contents

Introduction 1 Postmodern critiques, Japan's economic miracle, and the new aesthetic milieu 2 The 1968 social uprising and subversive advertising design in Japan: the work of Ishioka Eiko and Suzuki Hachiro 3 From cute to Rei Kawakaubo: fashion and protest 4 Mujirushi Ryohin and the absence of style 5 Hironen and the representation of the other 6 Digital design as social and critical design in the twenty-first century Index -- .

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