Closet drama : history, theory, form
Author(s)
Bibliographic Information
Closet drama : history, theory, form
(Routledge advances in theatre and performance studies)
Routledge, 2019
- : hbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play-a dramatic text written for reading rather than acting.
Table of Contents
I. CLOSET DRAMA AND STAGINGS OF HISTORY
CHAPTER ONE: Introduction: "Closet Drama Studies"
Catherine Burroughs
CHAPTER TWO: The baroque closet: sovereignty and the "home theater" of Cervantes
Philip Lorenz
CHAPTER THREE: Inverted catharsis in Milton's Samson Agonistes Brendan Prawzdik
CHAPTER FOUR: "Appalling tabernacle of self and unbelief": Wyndham Lewis's Enemy of the Stars
Allan Pero
II. GENDER, SEXUAL POLITICS, AND THE CLOSET
CHAPTER FIVE: Horror and terror, gender and fear in Joanna Baillie's OrraLilla Crisafulli
CHAPTER SIX: Restoration in the closet: Felicia Hemans' drama in the Napoleonic aftermath
Diego Saglia
CHAPTER SEVEN: Michael Field's Stephania: the closet drama as a space for female fortitude and artistic agency
Michelle S. Lee
III. CLOSET DRAMA AND GENRE
CHAPTER EIGHT: "Closeted" discourses in private theatricals: the mystification of genre and audience in Christian Carstairs' The Hubble-Shue
Gioia Angeletti
CHAPTER NINE: Scarred phonation and the act of listening in Byron's Marino Faliero
Elizabeth Effinger
CHAPTER TEN: "Crazier than a fish with titties": the hybridity of closet drama in R. Kelly's Trapped in the ClosetFredric V. Bogel
IV: FUTURE DIRECTIONS FOR CLOSET DRAMA STUDIES
CHAPTER ELEVEN: Closet television, queer Hooperman
Nick Salvato
CHAPTER TWELVE: Theatrical performance in the margins: imagined theatres on page and stage
Daniel Sack
Appendix: uncloseting Jonas Barish's book on closet drama
Catherine Burroughs
by "Nielsen BookData"