Performed ethnography and communication : improvisation and embodied experience
著者
書誌事項
Performed ethnography and communication : improvisation and embodied experience
Routledge, 2018
- : pbk
並立書誌 全1件
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [185]-195) and index
内容説明・目次
内容説明
Performed Ethnography and Communication explores the relationships between these three key terms, addressing the impact of ethnography and communication on the cutting edge of performance studies. Ranging from digital performance, improvisation and the body, to fieldwork and staged collaboration, this volume is divided into two main sections:
"Embodied technique and practice," which addresses improvisation, devised theatre-making, and body work to consider what makes bodies move, sound, behave, mean, or appear differently, and the effects of these differences on performance;
"Oral history and personal narrative performance," which is concerned with the ways personal stories and histories might be transformed into public events, looking at questions of perspective, ownership, and reception.
Including specific historical and theoretical case studies, exercises and activities, and practical applications for improvisation, ethnography, and devised and digital performance, Performed Ethnography and Communication represents an invaluable resource for today's student of performance studies, communication studies or cultural studies.
目次
List of figures
AcknowledgmentsPrologue
Introduction
PART 1 Embodied technique and practice
Chapter 1 Embodied technique and practice
Technique
Practice
Interview with Ben Spatz
Examples of technique and practice
Case study one: Digital Portobelo with Renee Alexander Craft
Chapter 2 Improvisation
The inherited body we bring to performance practice
Key concepts in improvisational acting and performance
Examples
Chapter 3 Devised theatre
Ethnographic data and process
Suggested stages for devised performance
In summary
Interview with Honey Pot Performance
Case study two: the digital in dialogic performance across two continents
Chapter 4 Movement and scenes of body work
Warm-up improvisations for neutral mask
Efforts and factors from Laban/Bartenieff
Improvisation exercises for efforts and factors
Improvisational exercises for BESS
The 5Rhythms from Gabrielle Roth
Augusto Boal and Newspaper Theatre
PART 2 Oral history and personal narrative performance
Chapter 5 The value of oral history and life story
Who owns the story?
Interview with E. Patrick Johnson
Oral history as permission, public pedagogy, and provocation
On truth
Chapter 6 The narrative/narrated event and the anatomy of emotion
The narrative event
The narrated event
Case study three: holograms in a live staging of history: Triangle Shirtwaist Factory fire
Chapter 7 Anatomy of emotion: the brain, performance, and oral history
Proprioception
Mirror neurons and simulation theory
Chapter 8 Performing oral history and life stories
Solo performance
Exercises
Chapter 9 Viewpoints in rehearsal
Examples
Selected viewpoints for oral history and performance
Case study four: the storyteller's magnified embodiments in real-time telling
Chapter 10 Jerzy Grotowski's plastiques and Viola Spolin's speech and sound
The brain of the body and the body of the brain
Interview with Stephen Wangh
Examples
Epilogue: the intermix of performance, ethnography, and communication
Appendix: illustration of creativity and the brain
Bibliography
Index
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