Hollywood diplomacy : film regulation, foreign relations, and East Asian representations
著者
書誌事項
Hollywood diplomacy : film regulation, foreign relations, and East Asian representations
Rutgers University Press, c2020
- : hardcover
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 197-226) and index
内容説明・目次
内容説明
Hollywood Diplomacy contends that, rather than simply reflect the West's cultural fantasies of an imagined "Orient," images of Chinese, Japanese, and Korean ethnicities have long been contested sites where the commercial interests of Hollywood studios and the political mandates of U.S. foreign policy collide, compete against one another, and often become compromised in the process. While tracing both Hollywood's internal foreign relations protocols-from the "Open Door" policy of the silent era to the "National Feelings" provision of the Production Code-and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hye Seung Chung reevaluates such American classics as Shanghai Express and The Great Dictator and applies historical insights to the controversies surrounding contemporary productions including Die Another Day and The Interview. This richly detailed book redefines the concept of "creative freedom" in the context of commerce: shifting focus away from the artistic entitlement to offend foreign audiences toward the opportunity to build new, better relationships with partners around the world through diplomatic representations of race, ethnicity, and nationality.
目次
Introduction
Part I: Diplomatic Representations in Classical Hollywood
1. Censorship as Cultural Resistance: The Chinese Government's "Uplift" of National Images in 1930s Hollywood
2. Justified Patricide and (Im)Properly Directed Hatred: Regulating the Representations of Chinese and Japanese in Doolittle Raid Films
3. Beyond Propaganda Model: The Pentagon as a Technical Advisor for Brainwashing Films of the Cold War Era
Part II: The War on Terror, Contemporary Hollywood, and Its Global Discontents
4. From Die Another Day to "Another Day": The Anti-007 Movement, Pan-Asian Nationalism, and Protests as Censorship
5. The Interview as a Twenty-First-Century Great Dictator? Rethinking Film Regulation and Foreign Relations through the Sony Crisis
Conclusion: Chinese Censors Return to Hollywood
Appendix
Acknowledgments
Notes
Index
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