Music and instruments of the Middle Ages : essays in honour of Christopher Page
著者
書誌事項
Music and instruments of the Middle Ages : essays in honour of Christopher Page
（Studies in medieval and Renaissance music / general editors, Tess Knighton and Andrew Wathey, 22）
Boydell Press, 2020
大学図書館所蔵 件 / 全9件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [435]-459) and index
収録内容
- The progeny of Bernart de Ventadorn's Can vei la lauzeta mover / Elizabeth Aubrey
- Medieval Iberian song in its Mediterranean context : from Andalusian muwashshahat to the Cantigas de Santa Maria / Manuel Pedro Ferreira
- The estampies of Douce 308 / Elizabeth Eva Leach
- Anonymous IV and the Antiqui / Rob C. Wegman
- The development of the Latin liturgical Psalter in England / John Caldwell
- Forgotten levers of harmony : where are the grammarians' Claviculi? / Crawford Young
- The variable-voice conductus / Mark Everist
- Making sense of Omnis/Habenti : an Ars Nova motet in England / Lisa Colton
- Super omnes speciosa : Machaut reading Vitry / Alice V. Clark
- 'The spirit moves me to speak of forms changed into new bodies' : Anton Webern, Philippe de Vitry, and the reception of the Ars Nova motet / Lawrence Earp
- La belle se siet : where Dufay and Josquin meet / David Fallows
- In search of Medieval music in non-Western countries / Anna Maria Busse Berger
- Where did our musical instruments come from? / Jeremy Montagu
- Instrumentalists and changing performance contexts, c. 1500 / Keith Polk
- Non-mensural polyphony : performing plainsong / Reinhard Strohm
- 'Übersingen' and 'Quintieren' : non-mensural polyphony in secular repertories : Oswald von Wolkenstein and the Monk of Salzburg / Marc Lewon
- From page to sound : performing the Masses of Walter Frye / Andrew Kirkman
内容説明・目次
内容説明
Essays on important topics in early music.
Christopher Page is one of the most influential and distinguished scholars and performers of medieval music. His first book, Voices and Instruments of the Middle Ages (1987), marked the beginning of what might be called the"Page turn" in the study and performance of medieval music. His many subsequent publications, radio broadcasting (notably the series Spirit of the Age) and performances and recordings with his ensemble Gothic Voices changed the perception of and thinking about music from before about 1400 and forged new ways of communicating its essence to scholars as well as its subtle beauty to wider audiences.
The essays presented here in his honour reflectthe broad range of subject-matter, from the earliest polyphony to the conductus and motet of the thirteenth and fourteenth centuries, the troubadour and trouvère repertories, song and dance, church music, medieval music theory, improvisation techniques, historiography of medieval music, musical iconography, instrumental music, performance practice and performing, that has characterised Page's major contribution to our knowledge of music of the Middle Ages.
目次
Introduction - Tess Knighton and David Skinner
The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover - Elizabeth Aubrey
Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria - Manuel Pedro Ferreira
The estampies of Douce 308 - Elizabeth Eva Leach
Anonymous IV and the Antiqui - Rob C. Wegman
The Development of the Latin Liturgical Psalter in England - John Caldwell
Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi? - Crawford Young
The Variable-Voice Conductus - Mark Everist
Making Sense of Omnis / Habenti: An Ars Nova Motet in England - Lisa Colton
Super omnes speciosa: Machaut Reading Vitry - Alice V. Clark
'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet - Lawrence Earp
La belle se siet: Where Dufay and Josquin Meet - David Fallows
In Search of Medieval Music in Non-Western Countries - Anna Maria Busse Berger
Where Did Our Musical Instruments Come From? - Jeremy Montagu
Instrumentalists and Changing Performance Contexts, c. 1500 - Keith Polk
Non-mensural Polyphony: Performing Plainsong - Reinhard Strohm
'Übersingen' and 'Quintieren': Non-Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg - Marc Lewon
From Page to Sound: Performing the Masses of Walter Frye - Andrew Kirkman
「Nielsen BookData」 より