The spatiality of the Hispanic avant-garde : ultraísmo & estridentismo, 1918-1927
Author(s)
Bibliographic Information
The spatiality of the Hispanic avant-garde : ultraísmo & estridentismo, 1918-1927
（Avant garde critical studies, v. 37）
Brill Rodopi, c2020
- : hardback
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Note
Includes bibliographical references ([165]-188) and index
Description and Table of Contents
Description
The Spatiality of the Hispanic Avant-Garde: Ultraismo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafes, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
Table of Contents
Acknowledgements
List of Illustrations
Introduction: Spatiality and the Hispanic Avant-Garde
1 Space, Place, and the Avant-Garde
2 The Perspective of Experience
3 Representing Space
4 The Hispanic Transatlantic Avant-Garde
5 Transatlantic Scholarship
6 Itinerary
1 Cities
1 Madrid
2 Mexico City
3 Skyscrapers
4 The Eiffel Tower
5 The Viaduct
6 Electrical Wiring
2 Cafes
1 El Colonial and Pombo
2 Cafe de Nadie
3 Doors
4 Windows
5 Tables
6 Mirrors
3 Mobile Spaces
1 Trams
2 Automobiles
3 Airplanes
4 Pilots
5 Ships
4 The Ultraista Sea
1 Borges's Sea
2 Adriano del Valle's Foam
3 Humberto Rivas's Ocean
4 Guillermo de Torre's High Tide
5 Harbours
6 Cathedrals
Conclusion
Bibliography
Index
by "Nielsen BookData"