Ride the frontier : exploring the myth of the American West on screen
著者
書誌事項
Ride the frontier : exploring the myth of the American West on screen
McFarland & Company, c2021
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
With fresh appraisals of popular Westerns, this book examines the history of the genre with a focus on definitional aspects of canon, adaptation and hybridity.
The author covers a range of largely unexplored topics, including the role of "heroines" in a (supposedly) male-oriented system of film production, the function of the celluloid Indians, the transcultural and transnational history of the first spaghetti Western, the construction of femininity and masculinity in the hybrid Westerns of the 1950s, and the new paths of the Western in the 21st century.
目次
Acknowledgments
Introduction: Why the Western?
1. Transnational Adaptation, Transculturation and Indigenization: Dashiell Hammett's Red Harvest, Carlo Goldoni's The Servant of Two Masters, Akira Kurosawa's Yojimbo and Sergio Leone's A Fistful of Dollars
Prologue 13
The National 16
The Origins: Local and Translocal 22
The Transnational 26
Conclusion 42
2. Celluloid Indians, 1950s Westerns and the Termination Act: Broken Arrow, White Feather, The Battle of Apache Pass, Devil's Doorway, The Last Wagon and The Last Hunt
Prologue 45
Broken Arrow (1950) 52
White Feather (1955) and The Battle of Apache Pass (1952) 57
Devil's Doorway (1950) 59
The Last Wagon (1956) 67
The Last Hunt (1956) 74
Conclusion 79
3. Heroines in Western Films? Mikhail Bakhtin's "Dialogic Imagination" in Shane, High Noon and Westward the Women
Monoglossia: The Submissive Woman and Shane (1953) 89
Heteroglossia: The Transgressive Woman and High Noon (1952) 93
X-glossia: Transformational Women and Westward the Women (1951) 100
4. Hybridity and (De)Construction of Femininity and Masculinity in Rancho Notorious, Johnny Guitar and Duel in the Sun
Rancho Notorious: The Filmic Text (1952) 111
Johnny Guitar: Paratext 121
Johnny Guitar: Peritext and the Novel (1953) 123
Johnny Guitar: The Filmic Text (1954) 127
Duel in the Sun (1946): Paratext 136
Duel in the Sun: The Novel (1944) 139
Duel in the Sun: The Filmic Text (1946) 141
Patriarchy and Failed Masculinities 143
Patriarchy and Failed Femininities 146
Capitalism and Patriotism 149
5. New Paths of the Western in the Third Millennium: The Lone Ranger, Yesterday and Today
The Western Genre Today 152
Enter The Lone Ranger: Prologue 155
The Lone Ranger Yesterday or How the West Was Conquered 156
The Lone Ranger (2013): Paratext 161
The Lone Ranger Today or How the West Was Lost 164
Chapter Notes
Bibliography
Index
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