Toward a global Middle Ages : encountering the world through illuminated manuscripts
著者
書誌事項
Toward a global Middle Ages : encountering the world through illuminated manuscripts
J. Paul Getty Museum, c2019
- : pbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 255-277) and index
Other contributors : Sussan Babaie, Roland Betancourt, Jerry Brotton, Jill Caskey, Kristen Collins, Morgan Conger, Michelle H. Craig, Mark Cruse, James Cuno, Eyob Derillo, J. Sören Edgren, Elizabeth A. Eisenberg, Tushara Bindu Gude, Byron Ellsworth Hamann, Melanie Holcomb, Kaiqi Hua, Alexandra Kaczenski, Bryan C. Keene, Rheagan Eric Martin, Sylvie L. Merian, Asa Simon Mittman, Megan E. O'Neil, Alka Patel, Pamela A. Patton, Alex J. West
内容説明・目次
内容説明
Illuminated manuscripts and illustrated or decorated books - like today's museums - preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures and everyone's place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity.
'Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts' is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume's multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives and materials from Africa, Asia, Australasia and the Americas - an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages.
Featuring over 160 colour illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
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