Lomazzo's aesthetic principles reflected in the art of his time
Author(s)
Bibliographic Information
Lomazzo's aesthetic principles reflected in the art of his time
(Brill's studies in intellectual history, v. 318 . Brill's studies on art,
Brill, c2020
- : hardback
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [187]-210
Includes indexes
Description and Table of Contents
Description
Lomazzo's Aesthetic Principles Reflected in the Art of his Time explores the work of the Milanese artist-theorist Giovanni Paolo Lomazzo (1538-92) and his influence on the circle of the Accademia della Val di Blenio and beyond. Following reflections on Lomazzo's fortuna critica, the accompanying essays examine his admiration of Gaudenzio Ferrari; Lomazzo's painted oeuvre; his influence on printmaking with Giovanni Ambrogio Brambilla; on drawing and painting with Aurelio Luini; on the decorative arts and the embroideress Caterina Cantoni; his pupils
Giovanni Ambrogio Figino and Girolamo Ciocca; grotesque sculpture outside Milan; and Lomazzo in England with Richard Haydocke's
translation of the Trattato. In doing so, this book takes an innovative approach-one which aims to bridge the scholarship, hitherto disjoined, between Lomazzo the artist and Lomazzo the theorist-while expanding our knowledge of a protagonist of Renaissance and early modern art theory.
Contributors: Alessia Alberti, Federico Cavalieri, Jean Julia Chai, Roberto Paolo Ciardi, Alexander Marr, Silvia Mausoli, Mauro Pavesi, Rossana Sacchi, Paolo Sanvito, and Lucia Tantardini.
Table of Contents
Preface
Lucia Tantardini
Foreword: Lomazzo's Temple
Roberto Paolo Ciardi
Acknowledgements
List of Figures and Maps
List of Abbreviations
Notes on Contributors
Notes
Chronology of Lomazzo's Life and Career
Introduction: Lomazzo Studies: Getting the Whole Picture
Jean Julia Chai
1 'Oh blessed, excellent mind and hands!': Lomazzo's Admiration for Gaudenzio Ferrari
Rossana Sacchi
2 New Light on Lomazzo's Artistic Career
Mauro Pavesi
3 Giovanni Ambrogio Brambilla: Poet, Painter, Draughtsman, and Printmaker between Milan and Rome
Alessia Alberti
4 Lomazzo vs. Luini: Comparative Aesthetics
Lucia Tantardini
5 'De la gran Cantona i chiari honori': Caterina Cantoni, Lomazzo, and the Accademia della Val di Blenio
Silvia Mausoli
6 Lomazzo's Two Pupils: 'first is Figino, and then Ciocca'
Federico Cavalieri and Mauro Pavesi
7 Lomazzo's Influence on Decorative Patterns in Sculptural Workshops Before and After 1600
Paolo Sanvito
Afterword: Lomazzo's Shadow
Alexander Marr
Appendices
Bibliography
Index of Proper Names
Index of Places
by "Nielsen BookData"