Lomazzo's aesthetic principles reflected in the art of his time
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Bibliographic Information
Lomazzo's aesthetic principles reflected in the art of his time
(Brill's studies in intellectual history, v. 318 . Brill's studies on art,
Brill, c2020
- : hardback
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Note
Bibliography: p. [187]-210
Includes indexes
Description and Table of Contents
Description
Lomazzo's Aesthetic Principles Reflected in the Art of his Time explores the work of the Milanese artist-theorist Giovanni Paolo Lomazzo (1538-92) and his influence on the circle of the Accademia della Val di Blenio and beyond. Following reflections on Lomazzo's fortuna critica, the accompanying essays examine his admiration of Gaudenzio Ferrari; Lomazzo's painted oeuvre; his influence on printmaking with Giovanni Ambrogio Brambilla; on drawing and painting with Aurelio Luini; on the decorative arts and the embroideress Caterina Cantoni; his pupils
Giovanni Ambrogio Figino and Girolamo Ciocca; grotesque sculpture outside Milan; and Lomazzo in England with Richard Haydocke's
translation of the Trattato. In doing so, this book takes an innovative approach-one which aims to bridge the scholarship, hitherto disjoined, between Lomazzo the artist and Lomazzo the theorist-while expanding our knowledge of a protagonist of Renaissance and early modern art theory.
Contributors: Alessia Alberti, Federico Cavalieri, Jean Julia Chai, Roberto Paolo Ciardi, Alexander Marr, Silvia Mausoli, Mauro Pavesi, Rossana Sacchi, Paolo Sanvito, and Lucia Tantardini.
Table of Contents
Preface
Lucia Tantardini
Foreword: Lomazzo's Temple
Roberto Paolo Ciardi
Acknowledgements
List of Figures and Maps
List of Abbreviations
Notes on Contributors
Notes
Chronology of Lomazzo's Life and Career
Introduction: Lomazzo Studies: Getting the Whole Picture
Jean Julia Chai
1 'Oh blessed, excellent mind and hands!': Lomazzo's Admiration for Gaudenzio Ferrari
Rossana Sacchi
2 New Light on Lomazzo's Artistic Career
Mauro Pavesi
3 Giovanni Ambrogio Brambilla: Poet, Painter, Draughtsman, and Printmaker between Milan and Rome
Alessia Alberti
4 Lomazzo vs. Luini: Comparative Aesthetics
Lucia Tantardini
5 'De la gran Cantona i chiari honori': Caterina Cantoni, Lomazzo, and the Accademia della Val di Blenio
Silvia Mausoli
6 Lomazzo's Two Pupils: 'first is Figino, and then Ciocca'
Federico Cavalieri and Mauro Pavesi
7 Lomazzo's Influence on Decorative Patterns in Sculptural Workshops Before and After 1600
Paolo Sanvito
Afterword: Lomazzo's Shadow
Alexander Marr
Appendices
Bibliography
Index of Proper Names
Index of Places
by "Nielsen BookData"