Large scale Rhodian sculpture of Hellenistic and Roman times Η μεγάλη ροδιακή πλαστική των ελληνιστικών και ρωμαϊκών χρόνων
著者
書誌事項
Large scale Rhodian sculpture of Hellenistic and Roman times = Η μεγάλη ροδιακή πλαστική των ελληνιστικών και ρωμαϊκών χρόνων
(Access Archaeology)
Archaeopress, c2017
- : pbk.
- タイトル別名
-
I megáli rodiakí plastikí ton ellinistikón kai romaïkón chrónon
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
Greek text with preface and introduction in English
内容説明・目次
内容説明
The Hellenistic society of the Rhodian metropolis, a naval aristocracy (Gabrielsen), dedicated bronze statues of their members in the sanctuaries and public buildings and used marble and -occasionally-lartios lithos to carve portrait-statues originally for funerary use and in a later period also for honorific purposes, figures of deities and decorative sculpture for the houses and the parks. The artists, local and itinerant, from Athens, the islands and the Asia Minor, established artistic workshops on Rhodes, some of them active for three centuries and for more than one generation. The impact of Rhodian art is evident on the islands of the Aegean and the cities of Asia Minor, due to the expansion of the Rhodian Peraia. Together with Pergamon, Rhodes emerges as a productive artistic centre of the Hellenistic era, creating statuary types and combining them with landscape elements. The radiance of its art is evident in the late Hellenistic period in Rome, the new capital of the world, where the Rhodian artists create mythological statuary groups set in grottoes. This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of sixty unpublished sculptures of life size or larger than life size, together with forty-five sculptures already published. The sculptures are grouped according to their statuary type (gods, mortals and portraits), while those unable to be firmly identified due to their fragmentary condition are grouped under the category 'uncertain identification'. The presentation of the sculptures is further supplemented by a technical description and an analysis of stylistic characteristics according to chronological development. Excavation data, wherever available, are also provided.
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