Sweetness and strength : the reception of Michelangelo in late Victorian England
Author(s)
Bibliographic Information
Sweetness and strength : the reception of Michelangelo in late Victorian England
(Routledge revivals)
Routledge, 2019
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [297]-313) and index
"First published 1998 by Ashgate publishing"--T.p. verso
Description and Table of Contents
Description
First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo's reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published.
As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo's persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own 'Dark Lady', Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de' Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined.
In this original and beautifully illustrated study, Lene Ostermark-Johansen shows how the critical discussion of the artist's genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Table of Contents
1. Michelangelo as Text. 2. Michelangelo as Line. 3. Michelangelo as the Petrarchan Lover. 4. Michelangelo as the Platonic Lover.
by "Nielsen BookData"