Theatre of real people : diverse encounters from Berlin's Hebbel am Ufer and beyond
Author(s)
Bibliographic Information
Theatre of real people : diverse encounters from Berlin's Hebbel am Ufer and beyond
(Methuen drama engage / series editors, Enoch Brater and Mark Taylor-Batty)
Bloomsbury Methuen Drama, 2016
- : pb
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [211]-234) and index
Description and Table of Contents
Description
Theatre of Real People offers fresh perspectives on the current fascination with putting people on stage who present aspects of their own lives and who are not usually trained actors. After providing a history of this mode of performance, and theoretical frameworks for its analysis, the book focuses on work developed by seminal practitioners at Berlin's Hebbel am Ufer (HAU) production house. It invites the reader to explore the HAU's innovative approach to Theatre of Real People, authenticity and cultural diversity during the period of Matthias Lilienthal's leadership (2003-12).
Garde and Mumford also elucidate how Theatre of Real People can create and destabilise a sense of the authentic, and suggest how Authenticity-Effects can present new ways of perceiving diverse and unfamiliar people. Through a detailed analysis of key HAU productions such as Lilienthal's brainchild X-Apartments, Mobile Academy's Blackmarket, and Rimini Protokoll's 100% City, the book explores both the artistic agenda of an important European theatre institution, and a crucial aspect of contemporary theatre's social engagement.
Table of Contents
Introduction
1. A Historical Perspective on Theatre of Real People
2. Theatre of Real People at the HAU
3. Theatre and Authenticity-Effects
4. Encounters with Cultural Diversity at the HAU
5. Berliners with an 'Authenticity Guarantee': Cultural Complexity in 100% Berlin and 100% City
6. Meeting Unfamiliar Residents in Berlin: Playing with Frames of Reference in X-Apartments
7. Unsettling Journey into the Unfamiliar: Ambiguous Guides to the City in Call Cutta: Mobile Phone Theatre
8. Getting Closer to the Subject(s) of Migration: Partial Proximity in Schwarzmarkt No. 7 and Mr Dagacar and the Golden Tectonics of Trash
Conclusion
Bibliography
Index
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