Post-cinematic theatre and performance
著者
書誌事項
Post-cinematic theatre and performance
（Palgrave studies in performance and technology）
Palgrave Macmillan, c2014
- : softcover
大学図書館所蔵 全1件
注記
Includes bibliographical references (p. 259-266) and index
内容説明・目次
内容説明
A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.
目次
List of Figures Series Editors' Preface Acknowledgements 1. The Post-Cinematic Landscape 2. Decalage and Mediaphors in Robert Lepage's Elsinore and The Andersen Project 3. Acinematic Montage in Roadmetal Sweetbread and Mare's Nest 4. Guilty pleasures and intermedial archaeologies in Wooster Group's House/Lights and Hamlet 5. The Ethics of Perception in Wunschkonzert 6. Disorienting Landscapes in Hotel Methuselah 7. Pedipulating 'footage' in Duncan Speakman's As if it were the last time 8. Landscapes and Aporias in Lars Von Trier's Dogville 9. Conclusion Bibliography Index
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