Right and left in early Christian and Medieval art

著者

• Couzin, Robert

書誌事項

Right and left in early Christian and Medieval art

by Robert Couzin

（Art and material culture in medieval and Renaissance Europe / edited by Sarah Blick, Laura D. Gelfand, v. 16）

Brill, c2021

• : hardback

注記

Summary: "Robert Couzin's Right and Left in early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author's investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform"-- Provided by publisher

Bibliography: p. [243]-281

Includes indexes

内容説明・目次

内容説明

Robert Couzin's Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author's investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here. See inside the book.

目次

List of Illustrations Abbreviations Introduction: The Pre-Eminence of the Right 1 On Human Handedness 2 The Sublimation of Right and Left 3 Historiography 4 Plan of the Work Part 1: The Right Hand 1 Picturing Handedness 2 The Hand of God 1 The Great Right Hand 2 The Other Hand of God 3 God in the Image of Man 3 Fighting and Writing 1 Handedness and Violence 2 Handedness and the Scribe 3 The Pen and the Sword 4 A Digression on Feet 1 Stepping Up to the Altar 2 Figures in Motion 3 Footwashing 4 The Three-Nail Crucifixion Part 2: The Right Side 5 Picturing Position 6 Peter and Paul in Early Christian Art 1 Double Portraits of the Chief Apostles 2 Peter, Paul, and Jesus 3 The Politics of Apostolic Precedence 7 Spouses: The Place of Gender 1 Early Christian Men on the Left 2 Medieval Men on the Right 3 Transgression: Medieval Women on the Right 4 The Coronation of the Virgin: Sponsa on the Right Part 3: The Right Way 8 The Pythagorean Y 1 The Two Ways: Pythagoras and Matthew 2 Erlangen Universitatsbibliothek, Ms. 8, fol. 130v 3 The Pilgrim's Choice 4 A Matter of Mentality 9 Sacred Movement 1 Depicted Motion in Latin- and Greek-Language Cultures 2 The Syriac and Hebrew Evidence 3 Conclusions 10 Narrative Sequence 1 Script Direction and Pictorial Programming 2 Linear Programs and the Puzzle of Bernward's Column Epilogue 1 Misapprehension 2 Inattention 3 Disinterest 4 Future Directions Bibliography Index

「Nielsen BookData」 より

• NII書誌ID(NCID): BC04675040
• ISBN:
  • 9789004448254
• LCCN: 2020056540
• 出版国コード: ne
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Leiden
• ページ数/冊数: xxviii, 299 p.
• 大きさ: 25 cm
• 分類:
  • LCC : N7745.L44
  • DC23 : 704.9/482
• 件名:
  • LCSH : Left and right (Symbolism)
  • LCSH : Christian art and symbolism -- To 500
  • LCSH : Christian art and symbolism -- Medieval, 500-1500
  • LCSH : Left- and right-handedness -- Religious aspects -- Christianity
• 親書誌ID:
  • BB26555158