Luigi Dallapiccola and musical modernism in Fascist Italy
著者
書誌事項
Luigi Dallapiccola and musical modernism in Fascist Italy
（Music since 1900）
Cambridge University Press, 2019
- : pbk
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Originally published: 2013
Includes bibliographical references (p. [277]-293) and index
内容説明・目次
内容説明
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siecle to the early Cold War.
目次
- Preface
- 1. Modernism before fascism
- 2. The true spirit of Italian music
- 3. Fascist modernism
- 4. Protest music?
- 5. The politics of commitment.
「Nielsen BookData」 より
