Chinese culture in the 21st century and its global dimensions : comparative and interdisciplinary perspectives
著者
書誌事項
Chinese culture in the 21st century and its global dimensions : comparative and interdisciplinary perspectives
(Chinese culture, v. 2)
Springer, c2020
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
This book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.
目次
Section I: Modern Chinese Literature: A Comparative Study.- 1.The Evolution of Chinese Women: From Confucian Obligations to Modern Resistance.- 2.A Comparative Study of Stream of Consciousness.- 3.A Contrasting Image of China in Opera Libretti: An Analytical Reading of Puccini/Adami, Simoni's Turandot and Adams/Goodman's Nixon in China.- Section II: Contemporary Perceptions of Chinese Films and Performing Arts.- 4.Remaking China: The Canonization of Fei Mu's Cinema.- 5.The Dilemma of Brand Construction of Chinese New Year Movies: Comparing to the Marvel Movies.- 6.From Comics to Animation: A Media Study of Hong Kong's Creative Industry.- 7.Chinese Musical Culture in the Global Context - Modernization and Internationalization of Traditional Chinese Music in 21st Century.- 8.Cantonese Cameo: Prewar Hong Kong Films and /r/ of Early Cantonese.- Section III: Translation Studies of Hong Kong and Chinese Culture in the Globalized Era.- 9.Reinterpreting Cantonese Opera: Is Sur/Subtitle Translation into English Possible?.- 10.Normalising Cultural Elements from an Operative Functional Perspective.- 11.Beyond Bilinguality: Chinese-English Names of Hong Kong Racehorses.- Section IV: Language and Learning: Changing Ideology in the Digital Age.- 12.Roles of Western Learning in Fevers of National Learning in the Twentieth-Century China.- 13.The Tortuous Path of Digital History in the Chinese Humanities.
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