The Codex Faenza 117 : instrumental polyphony in late medieval Italy

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The Codex Faenza 117 : instrumental polyphony in late medieval Italy

introductory study and facsimile edition by Pedro Memelsdorff

(Ars nova, nuova ser. 3)

Libreria Musicale Italiana, c2013

  • v. 2

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注記

Facsimile of Manuscript 117 of the Biblioteca Comunale Manfrediana in Faenza.

v. 2: Facsimile edition

"Codex Faenza 117 is composed of two distinct and independent copying layers. The older one contains fifty non-texted intabulated diminutions generally assumed to be instrumental and dated within the first quarter of the fifteenth century. They comprise diminished versions of Italian and French songs by some of the major composers of the fourteenth and early fifteenth century, Jacopo da Bologna, Bartolino da Padova, Francesco Landini, Antonio Zacara da Teramo, Guillaume de Machaut, and Pierre des Molins, as well as polyphonic estampies and diminutions on dance-related and liturgical tenors, including the three earliest intabulated alternatim mass-pairs that have come down to us."--v. 1, [17] p.

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