Richard Kilvington on the capacity of created beings, infinity, and being simultaneously in Rome and Paris : critical edition of question 3 from Quaestiones super libros Sententiarum
著者
書誌事項
Richard Kilvington on the capacity of created beings, infinity, and being simultaneously in Rome and Paris : critical edition of question 3 from Quaestiones super libros Sententiarum
（Studien und Texte zur Geistesgeschichte des Mittelalters, Bd. 130）
Brill, c2021
- : hardback
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注記
Includes bibliographical references and indexes
Text in Latin with accompanying commentary in English
収録内容
- Life and works
- The structure and content of question 3
- The manuscripts of question 3 Utrum omnis creatura sit suae naturae certis limitibus circumscripta from Quaestiones super libros Sententiarum
- The manuscript tradition
- Editorial principles
- Quaestiones super libros Sententiarum, quaestio III : utrum omnis creatura sit suae naturae certis limitibus circumscripta
- Articulus primus : utrum capacitas animae est infinita
- Articulus secundus : utrum unum infinitum potest esse maius alio
- Articulus tertius : utrum aliquod corpus possit esse simul et semel in diversis locis
- Articulus quartus : utrum poena correspondens peccato mortali de condigno est infinita intensive
- Articulus quintus : utrum nullus meretur de condigno
内容説明・目次
内容説明
Richard Kilvington was one of the most talented Oxford Calculators. His influence on late medieval philosophy and theology remains unquestionable. He made a name for himself with his logical treatise Sophismata, which was soon followed by a series of three commentaries on Aristotle's works and a commentary on Peter Lombard's Sentences. Richard Kilvington on the Capacity of Created Being, Infinity, and Being Simultaneously in Rome and Paris by Monika Michalowska presents a critical edition of question 3 from Kilvington's Quaestiones super libros Sententiarum, complete with an introduction to the edition and a guide to Kilvington's theological concepts. Kilvington's theological question commentary enjoyed considerable popularity and became a source of continuous inspiration for Oxonian and Parisian masters.
See inside the book.
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