Presence through sound : music and place in East Asia
著者
書誌事項
Presence through sound : music and place in East Asia
(SOAS musicology series)
Routledge, 2020
- : hbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [207]-234) and index
内容説明・目次
内容説明
Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and 'place' intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation.
The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation.
In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and - particularly pertinent to East Asia in the twenty-first century - local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.
目次
Catherine Ingram and Keith Howard
Introduction: Reflections on the significance of place for East Asian musical traditions
China
1 Catherine Ingram
The Shifting Strength of Place in Contemporary Big Song Singing from Southwestern China
2 Anne E. McLaren
From the Heart of the Lake Booms a Mountain Song: Sense of Place in the Song-Cycles of Coastal China
3 Min Yen ONG
Bringing the Past to Life: Creating and Contesting Place in Kunqu Singing Practices
4 Lu LIU
Beijing in the Contemporary Pipa World
Tibet
5 Gerald Roche
The Alphabetical Order of Things: The Language of Place and the Place of Language in Tibetan Song
Taiwan
6 Yang Ming TEOH
Lingering Across the Ocean, Rooted on the Island: Indigenous Music and the Notions of Mountain and Sea as Taiwanese Identifiers
Korea
7 Keith Howard
The Constructed Soundscapes of Place in Korea, South and North
8 Hee-sun KIM
Place as Brand: The Role of Place in the Construction of Contemporary Traditional Music in South Korea
9 Hilary Finchum-Sung
The Sonic Habitus of Silk and Wood: Kugak's Twenty-First-Century Terrain
10 Roald Maliangkay
Not a Habitus for the Have-Nots: The Walker Hill Shows, 1962-2012
Japan
11 Naoko TERAUCHI
Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: From the Sound of Authority to the Sound of Local Identity
12 Hugh de Ferranti
Biwa's Place in Modern Times
13 Kiku Day
Place and Locality in Fuke-Style Shakuhachi: The Case of Nezasa-ha Kinpuryu
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