Polychrome sculpture : meaning, form, conservation
著者
書誌事項
Polychrome sculpture : meaning, form, conservation
Getty Conservation Institute, c2015
- : hbk.
- タイトル別名
-
Farbige Skulpturen
大学図書館所蔵 件 / 全2件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 212-215) and index
"The present volume is based on the 1983 German edition"--P. xiv
内容説明・目次
内容説明
This book features a masterwork in the field of conservation published in English for the first time. In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer's experience of worship.Taubert believed it was crucial for conservators to understand this context before undertaking any treatments.
No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.
「Nielsen BookData」 より