In the fields of empty days : the intersection of past and present in Iranian art
Author(s)
Bibliographic Information
In the fields of empty days : the intersection of past and present in Iranian art
Los Angeles County Museum of Art , DelMonico Books・ Prestel, 2018
- : hardback
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 81-83
Description and Table of Contents
Description
The past is a continuous and inescapable part of Iranian art and culture. This book beautifully demonstrates this notion with examples dating from the 1970s to the present-a time of turmoil and political upheaval. Featuring a dizzying variety of
works-from paintings and photography to political cartoons and posters-this volume shows how contemporary artists appropriate and recontextualize myth and history to tell powerful new stories about life in Iran. This book also explores how pre-Modern artists first began to manipulate time by visually shifting the past into the present as demonstrated by Persian miniature painting, in particular illustrated versions of the Shahnama, or Book of Kings, the Iranian national epic. Statements from prominent contemporary artists consider the creative means by which they evoke the past to address present-day social and political concerns. Designed to promote fluid movement between historical and modern, this wideranging book offers a unique and important exploration of a country with a rich and complicated heritage.
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