A foreigner's cinematic dream of Japan : representational politics and shadows of war in the Japanese-German co-production New Earth (1937)
Author(s)
Bibliographic Information
A foreigner's cinematic dream of Japan : representational politics and shadows of war in the Japanese-German co-production New Earth (1937)
Bloomsbury Academic, 2021
- : HB
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references, filmographies, and index
"Iris Haukamp is lecturer in Japanese film at Tokyo University of Foreign Studies, Japan"--Back cover
Summary: "Offers a fresh take on the controversial binational film project The Samurai's Daughter and New Earth, where the two directors Arnold Fanck and Itami Mansaku produced one version each in 1937 - a key wartime axis collaboration for German-Japanese relations"-- Provided by publisher
Description and Table of Contents
Description
In early 1936, a German film team arrived in Japan to participate in a film coproduction, intended to show the 'real' Japan to the world and to launch Japanese films into international markets. The two directors, one Japanese and the other German, clashed over the authenticity of the represented Japan and eventually directed two versions, The Samurai's Daughter and New Earth, based on a common script. The resulting films hold a firm place in film history as an exercise in - or reaction against - politically motivated propaganda, respectively.
A Foreigner's Cinematic Dream of Japan contests the resulting oversimplification into nationalised and politicised dichotomies. Drawing on a wide range of Japanese and German original sources, as well as a comparative analysis of the 'German-Japanese version' and the elusive 'Japanese-English version', Iris Haukamp reveals the complexities of this international co-production. This exclusive research sheds light not only on the films themselves, but also on the timeframe of its production, with both countries at the brink of war.
Table of Contents
List of figures
Acknowledgements
Note on sources and translation
Timeline of related cinematic and political events
Introduction
1. Film export and international (mis-)understanding
2. Producing New Earth: People, stories, inconsistencies
3. A pact of the silver screen
4. The politics of authenticity: Representing others, recognizing selves
5. International stars and national landscapes: Authentic star personas?
6. Itami's version of Fanck's dream
7. Repercussions: Coming to terms with New Earth
Conclusion
Appendices
Filmography
Index
by "Nielsen BookData"