Reading the modern European novel since 1900 : a critical study of major fiction from Proust's Swann's way to Ferrante's Neapolitan tetralogy
著者
書誌事項
Reading the modern European novel since 1900 : a critical study of major fiction from Proust's Swann's way to Ferrante's Neapolitan tetralogy
（Reading the novel / general editor, Daniel R. Schwarz）
Wiley Blackwell, 2018
- : cloth
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 327-333) and index
内容説明・目次
内容説明
An exploration of the modern European novel from a renowned English literature scholar
Reading the Modern European Novel since 1900 is an engaging, in-depth examination of the evolution of the modern European novel. Written in Daniel R. Schwarz's precise and highly readable style, this critical study offers compelling discussions on a wide range of major works since 1900 and examines recurring themes within the context of significant historical events, including both World Wars and the Holocaust. The author cites important developments in the evolution of the modern novel and explores how these paradigmatic works of fiction reflect intellectual and cultural history, including developments in painting and cinema. Schwarz focuses on narrative complexity, thematic subtlety, and formal originality as well as how novels render historical events and cultural developments Discussing major works by Proust, Camus, Mann, Kafka, Grass, di Lampedusa, Bassani, Kertesz, Pamuk, Kundera, Saramago, Muller and Ferrante, Schwarz explores how these often experimental masterworks pay homage to the their major predecessors-discussed in Schwarz's ground-breaking Reading the European Novel to 1900-even while proposing radical departures from realism in their approach to time and space, their testing the limits of language, and their innovative ways of rendering the human psyche.
Written for teachers and students by a highly-acclaimed scholar and including valuable study questions, Reading the Modern European Novel since 1900 offers a guide for a deeper understanding of how these original modern masters respond to both the past and present.
目次
Acknowledgments ix
Also by Daniel R. Schwarz xi
1 Introduction: The Novel After 1900 1
2 Cultural Crisis: Decadence and Desire in Mann's Death in Venice (1912) 13
3 Proust's Swann's Way (1913) and the Novel of Sensibility: Memory, Obsession, and Consciousness 34
4 The Metamorphosis (1915): Kaf ka's Noir Challenge to Realism 59
5 Camus's Indifferent, Amoral, and Godless Cosmos: The Stranger (1942) and The Plague (1947) as Existential Novels 77
6 Why Giorgio Bassani Matters: The Elegiac Imagined World of Bassani and the Jews of Ferrara 109
7 The Novel as Elegy: Giuseppe Tomasi di Lampedusa's The Leopard (1958) 126
8 Gunter Grass's The Tin Drum (1959): Reconfiguring European History as Fable 144
9 Imre Kertesz's Fatelessness (1975): Rendering the Holocaust as a Present Tense Event 176
10 Milan Kundera's The Unbearable Lightness of Being (1984): History as Fate 197
11 Saramago's The History of the Siege of Lisbon (1989): Rewriting History, Reconfiguring Lives 223
12 Orhan Pamuk's My Name is Red (1998): Cultural Conflict in Sixteenth ]Century Istanbul and its Modern Implications 242
13 Herta Muller's The Hunger Angel (2009): A Hunger for Life, A Hunger for Words 265
14 Elena Ferrante's Neapolitan Quartet: Women Discovering Their Voices in a Violent and Sexist Male Society 286
Selected Bibliography (Including Works Cited) 327
Index 334
「Nielsen BookData」 より
