Socially engaged art and the neoliberal city
著者
書誌事項
Socially engaged art and the neoliberal city
(Routledge critical studies in urbanism and the city)
Routledge, 2021, c2019
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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  オランダ
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注記
"First published 2019 by Routledge ... First issued in paperback 2021"--T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
What are the social functions of art in the age of neoliberal urbanism? This book discusses the potential of artistic practices to question the nature of city environments and the diverse productions of space, moving beyond the reduction of 'the urban' as a set of existing and static structures. Adopting a practice-led approach, each chapter discusses case studies from across the world, reflecting on personal experiences as well as the work of other artists. While exposing the increasingly limiting constraints placed on public and socially engaged art by the dominance of commercial funding and neoliberal frameworks, the author stays optimistic about the potential of artistic practices to transcend neoliberal logics through alternative productions of space. Drawing upon a Lefebvrian framework of spatial practice and using a structuralist approach to challenge neoliberal structures, the book draws links between art, resistance, criticism, democracy, and political change.
The book concludes by looking at how we might create a new course for socially engaged art within the neoliberal city. It will be of great interest to researchers in urban studies, urban geography, and architecture, as well as students who want to learn more about place-making, visual culture, performance theory, applied practice, and urban culture.
目次
Introduction: Producing Urban Imaginaries in Socially Engaged Art PART I Problematizing Socially Engaged Art 1. Criticisms, Reimaginings, Collaborations 2. Resistance, Participation, Politics PART II Meaning-Making: The Reciprocal Relation Between the Material Environment and Social Practices 3. Promoting New Ways of Being in the City 4. Mobilizing Communities PART III Participatory Processes: Critically Engaging with Urban Space in Socially Engaged Art 5. Contesting the City as a Natural Urban Order 6. (Re)inventing Urban Democratic Practices PART IV Representative Frames: Constituting Identities and Issues in Socially Engaged Art 7. stadtARCHIV: The Invited Space and the Logic of the Institution 8. Montopia: Collaborative Inventions and Antagonistic Encounters 9. St. Clement's Utopolis: A Crisis of Identity - Art or Social Work? Conclusion: Creating a New Course for Socially Engaged Art Within the Neoliberal City
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