Deep mediations : thinking space in cinema and digital cultures

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書誌事項

Deep mediations : thinking space in cinema and digital cultures

Karen Redrobe and Jeff Scheible, editors

University of Minnesota Press, 2021

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注記

Includes bibliographical references and index

Summary: "The preoccupation with "depth" and its relevance to cinema and media studies"-- Provided by publisher

内容説明・目次

内容説明

The preoccupation with "depth" and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the "surface turn" and as these models impinge on the realms of cinema and media studies. The collection's eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term's use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth's ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King's College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King's College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

目次

Contents Preface Part I. Depths of the Moving Image: Perception, Spectatorship, and Film Theory 1. From the Flat Plane, an Architecture of Light: Filming Space in Interwar Animation Katherine Rochester 2. Locomotive Views: Lateral Movement and the Flatness of the Moving Image Jordan Schonig 3. Deep in the Cave Jean Ma 4. On a Lonely Planet, Feeling-in-Depth: Wong Kar-wai's 2046 and Chris Marker's Sans Soleil Jinhee Choi Part II. Depth Hermeneutics and Surface Turns 5. Depth Effects: Citizen Kane, Citizenfour, and the Deep Time of Cinema Jeff Scheible 6. Bankers Dream of Banking, or Against the Interpretation of Dreams Jennifer Fay 7. Blackness at the Heart: Extruding Sovereignty in Nancy's and Denis's The Intruder Alessandra Raengo and Laurel Ahnert 8. Inaudible Evidence: Counterforensic Listening in Contemporary Documentary Art Pooja Rangan 9. To Narrate or Describe? Experimental Documentary beyond Docufiction Erika Balsom Part III. Deep Space, Deep Time 10. Sinkholes, GIFs, and Cinematic Eco-catastrophe Karl Schoonover 11. Underground Film: Thinking Vertically across the and of Cinema and Media Studies Karen Redrobe 12. Transparency at Depth: Dark Mediation of the Deep Seabed Lisa Han 13. Depth Mediators: Undersea Cables, Network Infrastructure, and the Deep Ocean Nicole Starosielski 14. From Planetary Depth to Surface Measure, or How to Read the Future from an Image Jussi Parikka Part IV. Deep Networks 15. Depth in Deep Learning: Knowledgeable, Layered, Impenetrable Taylor Arnold and Lauren Tilton 16. From Stereoscopic Depth to Deep Learning Brooke Belisle 17. The Deep Realness of Deepfake Pornography: A Conversation Shaka McGlotten, Susanna Paasonen, and John Paul Stadler Acknowledgments Contributors Index

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