Writing across the color line : U.S. print culture and the rise of ethnic literature, 1877-1920
Author(s)
Bibliographic Information
Writing across the color line : U.S. print culture and the rise of ethnic literature, 1877-1920
(Studies in print culture and the history of the book)
University of Massachusetts Press, c2020
- : hardcover
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Based on the author's disseration (doctoral)--University of New Hampshire, 2015
Includes bibliographical references (p. 165-190) and index
Description and Table of Contents
Description
The turn of the twentieth century was a period of experimental possibility for U.S. ethnic literature as a number of writers of color began to collaborate with the predominantly white publishing trade to make their work commercially available. In this new book, Lucas A. Dietrich analyzes publishers' and writers' archives to show how authors -- including Mar?!a Amparo Ruiz de Burton, Charles W. Chesnutt, Finley Peter Dunne, W. E. B. Du Bois, and Sui Sin Far -- drew readers into their texts by subverting existing stereotypes and adapting styles of literary regionalism and dialect writing.Writing across the Color Line details how this body of literature was selected for publication, edited, manufactured, advertised, and distributed, even as it faced hostile criticism and frequent misinterpretation by white readers. Shedding light on the transformative potential of multiethnic literature and the tenacity of racist attitudes that dominated the literary marketplace, Dietrich proves that Native American, African American, Latinx, Asian American, and Irish American writers of the period relied on self-caricature, tricksterism, and the careful control of authorial personae to influence white audiences.
Table of Contents
Introduction: An Indian Writer among U.S. Publishers
1. Sensational Job: Mar'a Amparo Ruiz de Burton in the J.B. Lippincott & Co. Catalog
2. Across the Color Line: Charles W. Chesnutt, Houghton Mifflin, and the Racial Paratext
3. Satire of Whiteness: Finley Peter Dunne's Newspaper Fictions
4. Targeting Benevolent Readers: The Souls of Black Folk, Mrs. Spring Fragrance, and A.C. McClurg & Co
Epilogue: The Future American
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