Bibliographic Information

Caravaggio

Leo Bersani & Ulysse Dutoit

(BFI film classics)

BFI, 2021

[2021 ed]

  • : pb

Available at  / 2 libraries

Search this Book/Journal

Note

Previous edition: 1999

Bibliography: p. 95

"Foreword to the 2021 Edition..." --T.p. verso

Description and Table of Contents

Description

Caravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence. Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.

Table of Contents

Derek Jarman's Caravaggio Notes Credits

by "Nielsen BookData"

Related Books: 1-1 of 1

Details

  • NCID
    BC05250830
  • ISBN
    • 9781839022562
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    London
  • Pages/Volumes
    95 p.
  • Size
    19 cm
  • Classification
  • Subject Headings
  • Parent Bibliography ID
Page Top