Asia-Pacific film co-productions : theory, industry and aesthetics
著者
書誌事項
Asia-Pacific film co-productions : theory, industry and aesthetics
（Routledge studies in media and cultural industries, 3）
Routledge, 2020
- : hbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book examines cross-regional film collaboration within the Asia-Pacific region. Through a mixed methods approach of political economy, industry and market, as well as textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include cultural globalization and Asian regionalization; identity, regionalism, and industry practices; and inter-Asian and transpacific co-production practices among the U.S.A., China, South Korea, Japan, India, Hong Kong, Taiwan, Argentina, Australia, and New Zealand.
目次
Table of Contents Asia-Pacific Film Coproduction: Introduction Dal Yong Jin and Wendy Su Part I: Regionalization, Globalization, and Co-productions Chapter 1. Cultural Globalization through Film Co-productions in the Asia-Pacific Region Dal Yong Jin Chapter 2. Fast Boats from Hollywood to China-vice versa-or Ships Passing in the Night? The PRC Meets the NICL Toby Miller Chapter 3. Sleeping with the Intimate 'Enemy'? Dynamics and Precarities of Chinese co-productions in the case of the 'Korea Ban' Lisa LEUNG Yuk-ming Part II: Industry, Collaboration, and Asian Regionalization Chapter 4. Post-2014 Chinese-Korean Film Co-production: Nation Branding via Online Film Publicity Elaine Chung Chapter 5. Hindi Chini Bhai Bhai: Examining India-China co-production deals in Globalized Media Markets Ruhi Khan Chapter 6. International film co-productions as a new harbour of nationalistic communication amid regional 'imagined communities': The case of China and Korea Mi-Sook Park Chapter 7. Is the China Party Over?: Global Integration, State Intervention, and Changing China-Hollywood Relations: 2014-2018 Wendy Su Chapter 8. Transnational film project in the changing media ecology: The case of Okja Dong-Hoo Lee Part III. Cultural Flows, Cultural Globalization, and The Asia-Pacific Chapter 9. Influential Factors for Producing Film co-productions between Korea and New Zealand Kim JuHee Chapter 10. Co-producing with the Other Side of the World: Argentine-Korean Films and International Film Festivals Lucia Rud Chapter 11. Connecting with China, Hollywood and Film Festivals: The Collaboration and Co-production of Taiwanese Filmmakers in the Era of Neo-liberal Globalization Jocelyn Yi-Hsuan Lai Part IV: Aesthetics in Co-productions Chapter 12. Beyond Japan-Taiwan Coproduction: Intertextuality and Elliptical Figures in Hou Hsiao-hsien's Cafe Lumiere Michelle Bloom and Satoko Kakihara Chapter 13. Seoul-Hong Kong-Macau: Love with an Alien (1957) and Postwar Korea-Hong Kong Coproduction Sangjoon Lee Chapter 14. Docu-reality and Empathy in Bloodless (2017): A Manifesto for Transnational Virtual Reality Cinema Luke Buckmaster and Brian Yecies Chapter 15. Final Recipe as a Pan-Asian Co-production Film: Interview with Director Gina Kim Dal Yong Jin
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