Shakespeare and Renaissance literary theories : Anglo-Italian transactions
著者
書誌事項
Shakespeare and Renaissance literary theories : Anglo-Italian transactions
(Anglo-Italian Renaissance studies series)
Routledge, 2016, c2011
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [287]-304) and index
内容説明・目次
内容説明
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.
目次
- Introduction Shakespeare against Genres
- I: Art, Rhetoric, Style
- 1: Sheakespeare and the Art of Forgetting
- 2: Shakespearean Comedy: Postmodern Theory and Humanist Poetics
- 3: Shakespeare: What Rhetoric Accomplishes
- 4: Shakespearean Outdoings: Titus Andronicus and Italian Renaissance Tragedy
- 5: Transalpine Wonders: Shakespeare's Marvelous Aesthetics
- II: Genres, Models, Forms
- 6: Hamlet versus Commedia dell'Arte
- 7: The End of Shakespeare's Machiavellian Moment: Julius Caesar, Shakespeare's Historiography, and Dramatic Form
- 8: The Problem of Old Age: Anticomedy in As You Like It and Ruzante's L'Anconitana
- 9: Ruzante and Shakespeare: A Comparative Case-Study
- 10: The 'Woman as Wonder' Trope: From Commedia Grave to Shakespeare's Pericles and the Last Plays
- III: Spectacle, Aesthetics, Representation
- 11: Shakespeare's Italian Carnival: Venice and Verona Revisited
- 12: (Re)fracted Art and Ordered Nature: Italian Renaissance Aesthetics in Shakespeare's Richard II
- 13: 'Tis Pity She's Italian: Performing the Courtesan on the Early Seventeenth-Century English Stage
- 14: Silence, Seeing, and Performativity: Shakespeare and the Paragone
- 15: Italian Spectacle and the Worlds of James VI/I
- IV: Coda
- 16: How Do We Know When Worlds Meet?
「Nielsen BookData」 より