The multi-sensory image from antiquity to the Renaissance

著者

    • Hunter-Crawley, Heather
    • O'Brien, Erica

書誌事項

The multi-sensory image from antiquity to the Renaissance

edited by Heather Hunter-Crawley and Erica O'Brien

Routledge, 2020 , c2019

  • : pbk

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注記

Includes bibliographical references and index

"First published 2019 by Routledge" "first issued in paperback 2020" --t.p. verso

内容説明・目次

内容説明

This volume responds to calls in visual and material cultural studies to move beyond the visual and to explore the multi-sensory impact of the image, across a wide range of cultural and historical contexts. What does it mean to practise art history after the material and sensory turns? What is an image, if not a purely visual phenomenon, and how does it prompt non-visual sensory experiences? The multi-sensoriality of the image was a less challenging concept before the ocularcentric modern age, and so this volume brings together a global array of scholars from multiple disciplines to ask these questions of imagery in premodern or non-western contexts, ranging from Minoan palace frescoes, to Roman statues, early church sermons, tombs of Byzantine saints, museum displays of Islamic artefacts of scent, medieval depictions of the voice, and Stuart court masques. Each chapter presents a means of appreciating images beyond the visual, demonstrating the new information and understanding that consequently can be gleaned from their material. As a collection, these chapters offer the student and scholar of art history and visual culture an array of exciting new approaches that can be applied to appreciate the multi-sensoriality of images in any context, as well as prompts for reflection on future directions in the study of imagery. The Multi-Sensory Image thus illustrates that it is not only possible to explore the non-visual impact of images, but imperative.

目次

List of Figures List of Tables Preface Abbreviations Notes on Contributors Chapter 1 "Introduction: The Image and the Senses" Heather Hunter-Crawley & Erica O'Brien Chapter 2 "Seeing is (not) Believing: Visual and Non-Visual Interpretations of Aegean Bronze Age Frescoes" Jo Day Chapter 3 "Multi-sensory Encounters: The Aesthetic Impact of Roman Coloured Statues" Amalie Skovmoller and Berit Hildebrandt Chapter 4 "Painting as Sermon: The Role of the Visual in Catechism in Late Fourth-Century Christian Orations" Despoina Lampada Chapter 5 "Experiencing the Miracle: Animated Images and the Senses in the Burial Chapel of the Byzantine Saint" Dimitra Kotoula Chapter 6 "Engaging the Olfactory: Scent in the Arts, Cultures, and Museums of the Islamic World" Claire Dobbin and Leslee Katrina Michelsen Chapter 7 "The Vocal in the Visual: Auditory Issues and the Potential of the Voice in Late Medieval and Early Modern Visual Art" Daniela Wagner Chapter 8 "'Pictures with Light and Motion': The Language of the Senses in The Masque of Flowers" Caterina Guardini Afterword "The Multi-sensory Image Between Interdisciplinarity and Multi-media" Francois Quiviger Index

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