The private collector's museum : public good versus private gain
Author(s)
Bibliographic Information
The private collector's museum : public good versus private gain
(Routledge research in museum studies, 23)
Routledge, 2019
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [237]-248) and index
Description and Table of Contents
Description
The Private Collector's Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction.
By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector's museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private-public engagement in general.
Providing a new analysis of philanthropy, public access and the museum, The Private Collector's Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.
Table of Contents
Introduction: An introduction to the private collector's museum
Part I: Overview
1 Setting the foundation: Self-glorification is a small price to pay for philanthropy
2 Private collecting: collecting in the twentieth and twenty-first centuries
Part II: The private collector's museum
3 Where house and art museum converge
4 Subverting the notion of the house museum
5 The emergence of the stand-alone museum: Museum Folkwang, Hagen (1902- 1921) and Essen, Germany (1922)
Part III: The (re)emergence of the single patron collection museum
6 The German model of the private-public art museum
7 The private-public collection museum: Museum Brandhorst, Munich (2009) and Museum Frieder Burda, Baden-Baden (2004) Germany
8 In defiance of the monumental museum: Menil Collection, Houston, USA (1987)
9 The new museum and its creator's grand plan: The Broad, Los Angeles, USA (2015)
Conclusions: Evolving philanthropic conventions
by "Nielsen BookData"