The global reception of Heinrich Wölfflin's Principles of Art History
著者
書誌事項
The global reception of Heinrich Wölfflin's Principles of Art History
（Studies in the history of art, 82 . Symposium papers / Center for Advanced Study in the Visual Arts ; 59）
National Gallery of Art , Distributed by Yale University Press, c2020 , ill.(some col.), 29 cm
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注記
"This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington"--Colophon
Includes index
収録内容
- Wölfflin in Germany / Horst Bredekamp
- Wölfflin's Swiss legacy / Oskar Bätschmann
- Formalist dissent : why did the Vienna school ignore Wölfflin's Principles? / Hans Aurenhammer
- Wölfflin in the Hispanic world / Tristan Weddigen
- Baroque and neobaroque : long-term influence of Kunstgeschichtliche Grundbegriffe in Mexico and the globalization of an idea / Peter Krieger
- The reception of Principles of art history in England / Paul Binski
- Wölfflin's Principles in the United States : a love-hate relationship / Evonne Levy
- Universal principles and intransigent contexts: Wölfflinian aesthetics and the history of South Asian art / Monica Juneja
- The 1936 Japanese version of Kunstgeschichtliche Grundbegriffe and the study of Japanese art / Shirahawa Yukiko
- Wölfflin in France : from racialism to structuralism / Eric Michaud
- Who is afraid of Wölfflin's schemas? : the impact of Kunstgeschichtliche Grundbegriffe on Italian art historiography and aesthetics / Andrea Pinotti
- Latent Wölfflinian stylistics in Israeli artistic formation / Adi Efal-Lautenschläger
- In the glow of a classic : remarks on the reception of Heinrich Wölfflin in Polish art history / Wojciech Bałus
- The impact of Wölfflin's Kunstgeschichtliche Grundbegriffe on the historiography of art in Hungary in the twentieth century / Robert Born
- Wölfflin in Brazil : between translation and comparison / Jens Baumgarten
- From Teng Gu to Fan Jingzhong : Principles of art history in China / Zhang Ping
内容説明・目次
内容説明
Can the reception of a single, widely disseminated book offer a historical road map for a global art history? This is the question posed by the editors of this volume of essays, which charts the enduring response to the Swiss art historian Heinrich Woelfflin's Principles of Art History, first published in German in 1915. Translated into 22 languages and still in print in many of them, Woelfflin's book inaugurated an art history based entirely on "forms of seeing" and employing a comparative method. Many of the translators and transmitters of the text are represented in essays on the book's readership in Europe, North and South America, and South and East Asia. From its reception, positive and negative, the first genealogy of a global art history emerges.
Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press
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