Hemispheric integration : materiality, mobility, and the making of Latin American art
Author(s)
Bibliographic Information
Hemispheric integration : materiality, mobility, and the making of Latin American art
(Studies on Latin American Art / Alexander Alberro, 3)
University of California Press, c2020
- : hbk
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America's position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art's relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquin Torres-Garcia, Candido Portinari, and Mario Carreno, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.
Table of Contents
ACKNOWLEDGMENTS
Introduction
1. "The Revolutionary Medium":
Siqueiros's Duco Muralism
2. Morphological Constructivism:
Torres-Garcia's "New Art of America"
3. OIAA/MoMA:
The Rockefeller Nexus of Latin American Art
4. Local Color:
Carreno's Art of "Interpenetration"
Conclusion
NOTES
SELECTED BIBLIOGRAPHY
LIST OF ILLUSTRATIONS
INDEX
by "Nielsen BookData"