CiNii Books - Global ambiguity in nineteenth-century American gothic : a study in form, history, and culture

Author(s)

- Li, Wanlin
- Phelan, James

Bibliographic Information

Global ambiguity in nineteenth-century American gothic : a study in form, history, and culture

Wanlin Li ; with a foreword by James Phelan

（Routledge research in American literature and culture）

Routledge, 2021

: hbk

Other Title: Global ambiguity in 19th-century American gothic

Available at / 2 libraries

Kansai University Library図

: hbk212307878

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Doshisha University Library (Imadegawa)

: hbk939.026||L10678212100125

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Summary: "As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, 'global ambiguity,' and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines 'global ambiguity' as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode..."

Includes bibliographical references and index

Description and Table of Contents

Description

As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, "global ambiguity," and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines "global ambiguity" as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring.

Table of Contents

1. Introduction: A Cultural Narratological Perspective on Global Ambiguity in the American Gothic 2. The Politics of Reading: Ambiguity, Yellow Fever, and Citizenship Education in Charles B. Brown's Arthur Mervyn 3. Edgar Allan Poe's Gothic Aesthetics and Politics: Ambiguity and Rhetorical Sublimity in "Ligeia" and "The Fall of the House of Usher" 4. Navigating the Literary Marketplace: Allegory, Gothicism, and Ambiguity in Hawthorne's "Young Goodman Brown" and "Rappaccini's Daughter" 5. Return of the Repressed: Racial and Gender Politics in the Uncanny Gothic of Herman Melville and Louisa May Alcott 6. Ambiguity and Gender Politics of Authorship in Henry James' The Turn of the Screw and "The Ghostly Rental"

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