The persistence of violence : Colombian popular culture
著者
書誌事項
The persistence of violence : Colombian popular culture
Rutgers University Press, c2020
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注記
Includes bibliographical references (p. 165-216) and index
内容説明・目次
内容説明
Colombia's headline story, about the peace process with guerrilla and its attendant controversies, does not consider the fundamental contradiction of a nation that spans generosity and violence, warmth and hatred-products of its particular pattern of invasion, dispossession, and enslavement. The Persistence of Violence fills that gap in understanding. Colombia is a place that is two countries in one-the ideal and the real-summed up in the idiomatic expression, not unique to Colombia, but particularly popular there, "Hecha la ley, hecha la trampa" (When you pass a law, you create a loophole). Less cynically, and more poetically, the Nobel Laureate Gabriel Garcia Marquez deemed Colombians capable of both the most noble acts and the most abject ones, in a world where it seems anyone might do anything, from the beautiful to the horrendous.The Persistence of Violence draws on those contradictions and paradoxes to look at how violence-and resistance to it-characterize Colombian popular culture, from football to soap opera to journalism to tourism to the environment.
目次
Contents
List of Figures
Introduction: The Persistence of Violence
Chapter One: The Absence and Presence of State Militarism: Violence, Football, Narcos (with Alfredo Sabbagh Fajardo)
Chapter Two: Industry Policy and Sex Tourism Meet the Case of the Destroyed Plaque (with Olga Lucia Sorzano and Anamaria Tamayo Duque)
Chapter Three: 'I Myself Had to Remain Silent When They Threatened My Children': Colombian Journalists and Self-Censorship Meet Prime-Time Narcos (with Marta Milena Barrios and Jesus Arroyave Cabrera)
Chapter Four: Green Passion Afloat: The Magdalena River (with Marta Milena Barrios)
Conclusion
Acknowledgements
Bibliography
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