The divine comedy of Dante Alighieri

書誌事項

The divine comedy of Dante Alighieri

edited and translated by Robert M. Durling ; introduction and notes by Ronald L. Martinez and Robert M. Durling ; illustrated by Robert Turner

Oxford University Press, 2004, c2003

  • v. 2 : [pbk.]

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注記

Text in Italian with parallel English translation

"First issued as an Oxford University Press, 2003. First issued as an Oxford University Press paperback, 2004"--T.p. verso

Bibliography: p. 631-656

Includes indexes

収録内容

  • v. 2. Purgatorio

内容説明・目次

内容説明

The second volume of Oxford's new Divine Comedy presents the Italian text of the Purgatorio and, on facing pages, a new prose translation. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatorio culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice. This new edition of the Italian text takes recent critical editions into account, and Durling's prose translation, like that of the Inferno, is unprecedented in its accuracy, eloquence, and closeness to Dante's syntax. Martinez' and Durling's notes are designed for the first-time reader of the poem but include a wealth of new material unavailable elsewhere. The extensive notes on each canto include innovative sections sketching the close relation to passages-often similarly numbered cantos-in the Inferno. Fifteen short essays explore special topics and controversial issues, including Dante's debts to Virgil and Ovid, his radical political views, his original conceptions of homosexuality, of moral growth, and of eschatology. As in the Inferno, there is an extensive bibliography and four useful indexes. Robert Turner's illustrations include maps, diagrams of Purgatory and the cosmos, and line drawings of objects and places mentioned in the poem.

目次

CONTENTS Abbreviations, xv Introduction, 2 PARADISO CANTO 1 Notes to Canto 1 CANTO 2 Notes to Canto 2 CANTO 3 Notes to Canto 3 CANTO 4 Notes to Canto 4 CANTO 5 Notes to Canto 5 CANTO 6 Notes to Canto 6 CANTO 7 Notes to Canto 7 CANTO 8 Notes to Canto 8 CANTO 9 Notes to Canto 9 CANTO 10 Notes to Canto 10 CANTO 11 Notes to Canto 11 CANTO 12 Notes to Canto 12 CANTO 13 Notes to Canto 13 CANTO 14 Notes to Canto 14 CANTO 15 Notes to Canto 15 CANTO 16 Notes to Canto 16 CANTO 17 Notes to Canto 17 CANTO 18 Notes to Canto 18 CANTO 19 Notes to Canto 19 CANTO 20 Notes to Canto 20 CANTO 21 Notes to Canto 21 CANTO 22 Notes to Canto 22 CANTO 23 Notes to Canto 23 CANTO 24 Notes to Canto 24 CANTO 25 Notes to Canto 25 CANTO 26 Notes to Canto 26 CANTO 27 Notes to Canto 27 CANTO 28 Notes to Canto 28 CANTO 29 Notes to Canto 29 CANTO 30 Notes to Canto 30 CANTO 31 Notes to Canto 31 CANTO 32 Notes to Canto 32 CANTO 33 Notes to Canto 33 THE NICENE CREED BOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNAS Notes to "O qui perpetua' ADDITIONAL NOTES 1. The Figure of Beatrice (After Canto 2) 2. The Paradiso and the Monarchia 3.The Primacy of the Intellect, the Sun, and the Circling Theologians (After Canto 14) 4. Dante and the Liturgy (After Canto 15) 5. The Religious Orders in the Paradiso 6. The Threshold Cantos in the Comedy 7. The Fate of Phaethon in the Comedy 8. Circle-Cross-Eagle-Scales: Images in the Paradiso 9. The Final Image 10. The Neoplatonic Background 11. Dante and Neoplatonism 12. Dante's Astrology 13. The Heavens and the Sciences: Convivio 2 14. The Paradiso as Alpha and Omega Textual Variants Bibliography Index of Italian, Latin, and Other Foreign Words Discussed in the Notes Index of Passages Cited in the Notes Index of Proper Names in the Notes Index of Proper Names in the Text and Translation

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